Six questions for me, and other writing lessons

I was recently invited to sound off on the subject of literary magazines and being the editor of the web’s foremost literary rebellion, Black Heart. If you’ve been wondering how to score access to Black Heart’s hallowed ventricles, you should definitely check out the interview over at the Six Questions For… site. The piece is entitled “Six Questions for Laura Roberts, Editor, Black Heart Magazine,” and in case you haven’t noticed from my irregularly scheduled blog posts, will contain a modicum of cursing.

F-bombs aside, I have also written a cuss-free piece on the practical side of writing for the Professional Writers of Austin, entitled “How much does good writing cost?” It is by no means the definitive word on pricing your writing, but it does aim to give some tips and tricks to avoid feeling like you’ve been ripped off by your clients.

On a related note, I’d just like to give a shout-out to the potential client who wanted a “sample” of my copywriting before she hired me. I found this amusing, not only because copywriting is a profession in which no one writes on spec, and there are already quite a number of samples here on my website under the “Copywriting” section, but also because revisions are always included in my fee. If she didn’t like what I wrote, she could’ve had me switch it all around after I delivered the product. Twice!

I guess the moral of this story is that if you’re looking to hire me to write copy for your website, you should have a fairly firm idea in mind about what you actually want me to write. If you’re looking for catalog copy, I can go Payless or J. Peterman, but I need to know what your vibe is from the start so we can avoid conversations in which you ask me to write things for free because you don’t like my fees. (Which, by the way, are extremely reasonable, but will always be priced above zero as I like to do silly things like eat three meals a day and pay my rent; contact me if you’re tired of messing around and want to get down to business.)

Got a question for me about writing, either literary or corporate? Feel free to hit me up in the comments below!

Copywriting: J. Peterman’s style

I recently approached a previous client regarding the possibility of more copywriting work, emboldened by The Well-Fed Writer’s claims that cold calling works, but “lukewarm calling” is often more lucrative. The editor I queried wrote back to ask if I had any experience writing in the style of the inimitable J. Peterman.

I promptly went to the J. Peterman website, perused some of their copy, and set to work spinning a few Peterman-esque short tales of my own that might work for the client’s website, using some of their current merchandise as inspiration.

I also posted on Twitter about it, saying “One potential employer I contacted wants copy in the form of the J. Peterman catalogue. I’ve been browsing the monocle: http://bit.ly/65wW0l.” (Seriously, who can pass up a real, honest-to-goodness monocle?!)

J. Peterman is, naturally, on Twitter, and responded accordingly:

Unfortunately, I’m still in suspense myself. But I promise to let you all know if I do end up landing any work of this type, as I will clearly be shadowing the footsteps of genius.

And, of course, watching all of the old Seinfeld episodes with Peterman in them to serve as a secondary source of inspiration. Despite the show’s ribbing, they did manage to get Peterman’s sometimes overblown tone down, emphasizing the fine line between creative copy and impenetrably ridiculous wordsmithing (see, for example, the episode entitled “The Foundation,” where Elaine takes over for Peterman and puts the “urban sombrero” on the cover of the catalogue). Still, the real J. Peterman’s descriptions do work well: if you’ve ever read through the catalogue, you’ll find yourself agreeing with the company’s Twitter summary of what they do: “People want things that are hard to find. Things that have romance, but a factual romance, about them.”

In short, J. Peterman’s style is about both romantic product descriptions and the whiff of exclusion. Not everyone can afford the items for sale in the catalogue, and that’s what gives them an edge. It’s this idea that the product you are buying is, if not one-of-a-kind, then at least one-of-very-few. It’s that rarity that puts the item in demand, and the copywriter’s sexy description helps nudge the customer’s hand toward the “buy now” button. It’s an elegant form of salesmanship, and one that clearly gets results, as the company has been thriving since 1987.

It also makes for a great writing exercise, as demonstrated by this article in Writing Fix, “A Six-Trait Writing Lesson That Uses the J. Peterman Catalogue.” (Seriously, try it. You’ll be waxing lyrical in no time!)

In the meantime, if anyone would care to gift me with one of Peterman’s (discounted) Get Around Vespa Jackets, I promise to use this inspiration toward writing brilliant copy for the sender of said inspiration. Hey, J. Peterman: need any new writers for your site? Will work for designer duds*!

*Fee negotiable