How to work with a writer

So you’ve hired a writer (preferably me) to work on a project for you. Congratulations! But what’s that you say? You’re not sure how to proceed?

You’ve come to the right place. Here are a few tips on interacting with your new writer, in order to make sure your project turns out great and things go so smoothly that you’d love to work together again!

Share Information

Once you’ve hired the writer for a specific project (preferably with a set deadline), you can start sharing more relevant information on how to keep the project moving forward. If there are certain checkpoints with their own deadlines that must be met (for instance: any independent research, interviews, transcription, etc. that must be performed before writing can begin), hammer these out at the beginning of the project so that you’re both in the loop.

Even if you’re providing all the research materials and the writer is going to be organizing and writing this up in the proper format, make sure there’s enough time to gather extra material if necessary. Sometimes research materials will be outdated, or may only apply under specific circumstances that do not pertain to your project, or are just incorrect (or incomplete) for whatever reason. Leave enough time for your writer to voice any concerns and request (or research) additional information as necessary.

Remember that any additional research will cost extra, if it hasn’t already been accounted for in the original quote.

Sort Out Expenses

Will expenses be covered? If so, which ones? Certain items are considered standard fees (any long-distance phone calls, for example), while others may require negotiation (i.e. travel, room and board, additional research or unexpected expenses). Let your writer know what you will and won’t cover, particularly if the assignment involves any serious expenditures like travel to another city, state or country.

Sign A Contract

The first time you work with a new writer, you will definitely want to sign a contract to protect both of you from accidentally (or purposefully) taking advantage of each other. The contract should specify:

  1. A time frame for deliverable items (finished product as well as any additional mini-deadlines to be met within this period)
  2. Pay rate (how much the total amount of the project will cost)
  3. Deadline for payment (will you pay your writer within a week of receiving the finished product, or does your company usually take 30 days or more to deliver?)
  4. Any specifications concerning how payments should be made—both in terms of whether cash, credit, checks, Paypal payments or some combination thereof are acceptable to the writer, and whether payment will be made in a lump sum at the end of the project or at regular intervals throughout (for instance, many writers like to have half of the agreed sum up front in order to begin work, and the rest payable upon delivery of the work to the customer)

If you continue to work with your writer on many projects, you may not always need additional contracts; if it’s agreed to in writing, via email or otherwise, sometimes this is good enough. Other writers just like to keep all bases covered by requiring new contracts for each job. Talk to your writer to find out which they prefer.

Extras Cost Extra

Seems like a no-brainer, but just be sure to specify everything you want done before work begins. Extra work always costs extra money, so if you didn’t mention that the writer will have to upload all of their work onto your website and code their work properly, you may find yourself paying through the nose when they mention their fee for this non-writing work.

Other typical extras:

  • Re-writes (one is standard, two are sometimes included, but more than two rounds of back-and-forth editing and you’ll have to pay extra)
  • Web design (including uploading work to your site via FTP or through any CMS, as well as coding or editing written work specifically for the web)
  • Supplying photos (particularly if you are looking for original material, not items from a stock photo site or pulled from open-source Flickr accounts)
  • Consulting (i.e. “picking the brain” of a writer or editor for their ideas about your website, project, goals or other business related items that utilize their areas of expertise)
  • Meetings, both in person and virtual (especially if you are looking to squeeze additional edits, re-writes or consulting out of the writer during said meetings!)

Remember: time is money, both for you and for your writer. Writers charge not only for the writing they produce, but for the time their clients take away from their daily writing routines. This includes calling to chat while they are on the clock. You will be billed for this time, so don’t say I didn’t warn you!

In the end, as most experts will tell you, communication is key. Professional writers are often busy working on a variety of different jobs for different clients at any given time, and the more info you can supply up front, the happier they will be. The happier your writer is, the more they will want to do great things for you, and the better your relationship and projects will be. Treat your writer like a trusted ally, and you’ll both be excited about working together in the future.

Want to work together?

I’m easy to work with, and if you’ve got a specific project in mind, I’d love to hear from you! Just use my handy contact form to drop me a line, and I’ll be in touch within 24 hours.

How to hire a writer

If you’re reading this, it’s probably safe to say that you like my writing. And maybe you’ve even thought you’d like to have me write something for you, for money. Fabulous! The question is: HOW?

It’s pretty simple, actually, but since I do get a lot of emails from very confused people who think I will ghostwrite entire books for them for free (with the promise of “50% of the sales!”), I thought maybe I should take the time to write up a few notes on how to go about contacting writers with your business proposal.

In other words: here’s how to hire a writer without pissing them off.

Be Specific

First off: I get a lot of email, and if your subject line doesn’t make it clear that it’s a business proposal or request for a quote, I’ll delete it. I get enough spam trying to sell me Viagra and enlarge my (nonexistent) penis, and currently I’ve got jerkoffs trying to “optimize my website” who don’t know the first thing about SEO or the CAN-SPAM Act. If I don’t recognize your name, and your subject line sounds spammy, or your email is hotguy6969@hotmail.com (sorry, bro), your email is going into the trash.

Secondly, I need to know what you want me to do for you. I don’t need vast details about how exciting and intriguing and full of suspense your life has been, but if you want me to complete a project, you should tell me what it’s about.

As in: “I need a personal biography of about 500 words for my press kit.” Or: “I want you to write some blog entries for my website.” Or even: “I’m interested in writing a book, and want you to be a co-author.” Just tell me in one sentence what type of project it is.

Finally, if you have any type of budget I’ll need to work with, let me know. If you want a $25 biography, sorry, you’re SOL. That ship sailed 6 months ago; you missed the boat. BUT if you work for a non-profit organization or registered charity, or need to pay me on an installment plan, or otherwise have legitimate concerns about footing the bill, please don’t hesitate to mention those things in your email. (Briefly, of course.)

Also, for those of you completely unfamiliar with typical writing rates, check out my post “What to pay a professional writer to get a feel for what I charge for my services.

Time Frame

Okay, so you know what you want, but you need it by last Tuesday. Fuck. Now what? How about this:

TELL ME.

As in: tell me about the time frame in your first email. If it’s a rush order, it’s going to cost more, but it’ll get done on time. The trick is that you’ve got to let me know that you needed it by last Tuesday and your boss is pissed and you need some kind of miracle worker or time machine to get out of this sticky situation, because while I can OCCASIONALLY work miracles, I’m still (tragically) unable to mind-read.

Don’t Assume I’m Free

This is a bit of a rarity, but sometimes people will just drop emails in my inbox, saying “I need this by tomorrow night!” And I mean completely out of nowhere. Yes, people I don’t even KNOW (not to mention people I’ve never done business with) are somehow assuming that I will get right to work, dropping everything just because they threw it at me.

Huh?

My question is: who does this? Seriously, if we have NO working relationship, NO contract and you send NO instructions on top of it all, please do NOT assume I’m free to do the job. Seems like it should go without saying, but since it’s happened, clearly the obvious must be stated.

Also on the subject: I don’t typically work for free, so please don’t approach me with “work” that doesn’t pay unless there’s a truly outstanding reason.

Don’t Assume I’m Too Busy (or Expensive!)

Paradoxically following up my last tip, never assume I’m too busy to help you out. While I don’t like last-minute jobs that are dumped on me by random weirdos who don’t have a clue, I DO take on all kinds of projects, from the very large to the very small. If your budget is outside of my norms, but there are some kind of extenuating circumstances, we can work something out. Maybe in the form of a payment plan, maybe in the form of a trade for something I want or need. Rates are negotiable depending on circumstances, which is why I don’t publish any hard and fast fees on my site.

Ask Questions

While I can be annoyed by clients who ask too many questions (i.e. the ones who are virtually hovering over me and micro-managing my work instead of just letting me do it), I actually much prefer people to ask questions up front. Why? Because it’s way better than assuming we are both on the same page, or that they know something they really don’t. So please feel free to email me and ask questions if you don’t understand something or have special circumstances that need to be addressed. I am more than willing to discuss topics related to working together, so don’t be shy!

Also under this heading is my “if it’s not on the menu” policy. There’s a list of things that I do, or have done, or will do again below. But there’s also stuff that I’ve never tried before, or haven’t thought of doing yet. So if you don’t see something on my menu of available options below, don’t assume I won’t do it; ASK!

Keep in mind, however, that there are certain things I absolutely WILL NOT do, including:

  • Writing term papers
  • Doing your homework for you
  • Writing anything illegal or unethical (and if you have to ask, it’s probably illegal or unethical)

Types of Writing I Do

This isn’t an exhaustive list of the types of stuff I will write, as mentioned above, but it’s a good place to start:

  • Press releases for events
  • Personal and corporate biographies
  • Interviews
  • Reviews (book, music, film, stage)
  • Newsletters, and articles you can use in your newsletter
  • Magazine and newspaper articles
  • Blog entries for your website, whether one-offs (guest posts) or regular contributions (columns)
  • Toasts and speeches and poems for weddings, anniversaries and other happy occasions
  • Eulogies and memorials and tribute speeches for solemn occasions
  • Technical documentation for online help pages or user manuals
  • Ghostwritten or co-written books (depending on the topic, and subject to a significant retainer fee)
  • Short fiction, poetry, novels

Still interested?

I’m easy to work with, and I’m always interested in learning about new projects! Check out my articles on How to work with a writer and What to pay a professional writer to learn more about the process of working with me, or email me at editor@buttontapper.com to discuss working together.